Pattern Oop
Pattern Oop
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Unlocking The Neck Of Your Guitar With Simple Patterns
If you have heard of the CAGED system on the guitar or you've got an idea of simple music theory then chances are this article won't be overly interesting to you.
However if you're struggling to remember which barre chords are where and you haven't noticed that the same chords shapes we use in the open first position (example A and E) are used as barre chords in other places on the neck pay close attention because what I'm going to share with you in this lesson is going to blow your mind.
For this article I'll assume you know that say an A barre chord on the fifth fret is an E shape. If that doesn't make sense to you then you may want to review the basics of barre chords and maybe even consider getting a DVD guitar lesson that covers basic guitar chords.
The Theory Behind Note Spacing
Music has it's own alphabet which you may or may not know. The letters in the musical alphabet are A through G. There is of course a tone associated with each and every letter some are higher then others and because of this pitch we can assign a musical type of space between two tones one of which is higher then the other.
Spacing between music notes is measured in term so steps, either a half or whole step. These steps on the guitar neck are equal to two frets for a whole step or one fret for a half step. So we can explain the space that exists between two notes in terms of frets on the guitar or whole and half steps.
We're going to ignore all flats and sharps for this example to keep things simple and only work with the seven notes A to G. Between every note there is a whole step (that's two frets) except for two places. The first is between B and C and the second is between E and F. Those exceptions only have a half step separating them.
Here's an example of what I Mean. If we're playing the first fret of the low E string or 6th string that is an F note. If we go up two frets to the 3rd fret we're not playing a G note because we've moved up one whole step or two frets. If we move up another two frets we'll be playing an A note on the 5th fret of the E string. Another two frets and we have a B note at the 7th and here's one of the exceptions, we move up only one fret to the 8th Fret to play a C note. Remember there's only half a step between B and C.
Applying this to Barre Chords
Ok let's take this new found knowledge and apply it to barre chords on your guitar. As I mentioned before I'm assuming You Can play say an F barre chord which is an E shape on the first fret barred, or an A barre chord which is an E shape on the fifth fret barred. Starting with that F chord how can we get to a G chord knowing what we just learned?So let's find the G chord using the same shape. How much space is between an F and a G chord? It's one whole step right? So let's slide up two frets to the 3rd fret, keep the same chord shape and now you're playing a G chord.
Let's try another one, If we're on the third fret with a G chord and we slid up to the fifth fret which is another two frets what chord are we playing? it's an A chord right since we moved up another whole step.
I hope you can see how this pattern is working and how you can apply it to notes and chord shapes around the neck.
So how does this help you? There are two ways. For starters you can find other chords on the neck using the same barre chord shape so long as you know at least the location of one other chord.
Also understanding this pattern allows you to find notes more easily on the fretboard if you know at least one note somewhere, even if it's only the open string name.
While the information on its own doesn't do much if you learn it and practice it on the guitar neck it can open up a whole new world for you of what notes and chords are where on each string and position on the guitar neck.
This one piece of information is one of the most important guitar lesson I ever learned when I was first starting out and I still refer to it in my mind each and every time I pick up my guitar to practice or jam with others.
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